Jamestown/Williamsburg

DECEMBER 3, 2022

It’s such a joy to have Egyptian-American playwright Adam Ashraf ElSayigh here at Stanford with us working on a new play development process. More information is below.

Please join TAPS PhD Candidate Marina Johnson and TAPS PhD student Karishma Bhagani on Sunday December 4th from 4-7pm at Denning House for a reading of Adam Ashraf ElSayigh’s Jamestown/Williamsburg. Jamestown/Williamsburg tells the story of the voyages and traumas of two immigrant women, Diyala and Agnes. The former came to Virginia on a student visa in 2019, and the latter was a mail-order bride to Jamestown in 1619, with an elaborate plan to rule the new world. Diyala is in a green card marriage with her husband Ibrahim, seeking a path to American citizenship. Agnes is married to the Lord of the 1619 Virginia Company, who happens to be entwined in a relationship with a Native American man.

As these two women navigate the treacherous landscapes of new immigrants in the same house, 400 years apart, time breaks down and they find themselves having to encounter each other, their mistakes, and similarities, ultimately discovering a shocking fact about how their lineages connect them. The piece is a love triangle turned love quartet that asks what it means to come to an unwelcoming land, and how has the American zeitgeist evolved to think about immigration differently over the past 400 years?

Followed by the reading, Adam Ashraf El-Sayigh and Karishma Bhagani will lead a workshop entitled "Performing One Another", which will detail how to use simple performance techniques to understand leadership and our community members in a deeper, more meaningful way.

ASTR 2022

NOVEMBER 6, 2022

At ASTR (the American Society for Theatre Research conference) this past week I workshopped my paper “Palestinian Sperm Smuggling: A Force for Futurity Amidst the Continued Catastrophe of Occupation” in the Global South working group. It is always an honor to get to be with this working group in particular. NOLA was fun, too!

Later this week is the 2022 MENATMA (the Middle Eastern and North African Theatre Makers Alliance) Convening presented in partnership with the Arab American National Museum in Dearborn, MI: November 10-12, 2022.

Palestinian Youth Monologues

Also this month, (as part of my fellowship with the Stanford Haas Center), I directed the Palestinian Youth Monologues, a product of community-based research and applied theatre with 15 Bay Area Palestinian youth ages 8-18 in collaboration with Bay Area Arab American organization ASWAT/Zawaya. The students wrote and performed their own monologues about what it means to be Palestinian-American in the Bay Area, in addition to singing 3la Dalouna and just generally being the BEST.

كمان في مايو مع "مركز ستانفورد هاس" اخرجت "مونولوج الشباب الفلسطيني نتيجة بحث مجتمعي ومسرح تطبيقي مع 15 شاب فلسطيني في منطقة الخليج تتراوح أعمارهم بين 8 و 18 عامًا بالتعاون مع منظمة Bay Area العربية الأمريكية ASWAT / Zawaya. كتب الطلاب وأدّوا مونولوجاتهم الخاصة حول ما يعنيه أن تكون فلسطينيًا أمريكيًا في منطقة الخليج ، بالإضافة إلى غناء على دلعونا و بشكل عام كيف انهم شباب رائعين.

Shakespeare's Sisters

MAY 15, 2022

After many venue changes, Covid policy changes, and date changes, Stanford’s GRAD REP finally happened. For my part in this project, I directed the first US production of Shakespeare’s Sisters, a play developed by Al-Harah Thearer in Beit Jala. The play was created from interviews with Palestinian women, written by Pietro Floridia, and translated by Mirna Sakhleh.

The women are struck by an idea in Virginia Woolf’s “A Room of One’s Own” — if Shakespeare had a sister, how would the patriarchy have affected her life? Nesma’s dreams and ambitions propel her to create a space inspired by this imagined sister, a space to recharge, regroup and, if necessary, to revolt. This one is special to me.

Photo credit: Frank Chen

Costume Design (Cecilia Ergueta), Sound/Projection Design (Rob Bergenstock), Lighting Design (Espen Garner & Christian V. Mejia).